CONTEMPORARY VISUAL CULTURE MAJOR ESSAY Example | Topics and Well Written Essays - 1750 words

CONTEMPORARY VISUAL CULTURE MAJOR - Essay showcase46-57). Kjell (1999, pp. 115-128) and Pointon (1994, pp. 25-33) state that these works are simply a reflection of the societys view by analysing how the women portrayed in claim relate to the broader historical context, the stereotypes depicted, the extent to which the women are shown as active or passive beings and the amount of screen time given to them.The early works of Marjorie Rosen and Molly Haskell on type of women in film was part of a movement to make depictions of women more realistic both in documentaries and narrative cinema. According to Armstrong and Catherine (2006, pp. 23-34), the growing female presence in the film industry was seen as a confirmative step towards realisation of this goal by drawing attention to feminist issues and putting away alternatives and more true to life views of women. However, these images are still meditated by the same factors in the tradition film such as moving camera, composition, editing, lighting and all varieties of sound (Barnet 1993, pp. 45-51 Pointon 1994, pp. 25-33). It is important to acknowledge the value of inserting positive representation of women in film but real change would only be realised by considering the role of film in society from the semiotic point of view.It is important to understand the role of women as defined by the male gaze is central to understanding the position of women in society (Armstrong and Catherine 2006, pp. 23-34). A womans position in social stratification is defined by her outward verbalism and thus a person is identified first by their gender (Kjell 1999, pp. 115-128). The film is a study form of visual popular culture and it is associated with visual representations and the gaze (Barnet 1993, pp. 45-51). In film, the gaze is basically the learning ability of the camera (Kjell 1999, pp. 115-128). The gaze can be used as a powerful discourse because the learning ability of the camera fosters identification with t he audience. Armstrong and Catherine